When I was growing up, I longed to see myself and my family represented in ways that were not demeaning. Hollywood movies showed Asian women as passive victims or hypersexualized “dragon ladies.” Depictions of Asian men were even fewer—they were mostly the enemy soldiers in the background of movies about the American war in Vietnam. I became a writer to try to correct these grossly flattened stereotypes. I am now the author of 11 books, and recipient of an American Book Award, National Endowment for the Arts Fellowship, Asian Pacific American Award for Literature, a Kiriyama Prize Notable Book, and Bakwin Award for Writing by a Woman.
The stories in Thank You, Mr. Nixon combine history and family, characters reflecting on the ravages of time and how their lives have been buffeted by world events outside their control. There’s even a ghost of a Chinese girl writing from the afterlife to President Nixon in Hell. She thanks him for his historic decision to establish diplomatic ties with the People’s Republic of China, a decision that changed her family’s life forever. The story is profound, moving, and very funny all at once. Jen is a master of the short story form, and this collection is superb.
The acclaimed, award-winning author of The Resisters takes measure of the fifty years since the opening of China and its unexpected effects on the lives of ordinary people. It is a unique book that only Jen could write—a story collection accruing the power of a novel as it proceeds—a work that Cynthia Ozick has called “an art beyond art. It is life itself.”
Beginning with a cheery letter penned by a Chinese girl in heaven to “poor Mr. Nixon” in hell, Gish Jen embarks on a fictional journey through U.S.-China relations, capturing the excitement of a world on the brink…
Lee’s witty stories make smart observations about the nature of identity without ever feeling didactic. His characters are flawed and fully human, they make mistakes, fall in love, face criticism. Many of the stories feature Asian Americans trying to negotiate careers in the arts—from filmmakers to actors to a translator going up for tenure review. The collection feels particularly timely amid the conversations about representation and lack thereof in Hollywood and publishing.
A thrilling new story collection from acclaimed writer Don Lee exploring Asian American identity, spanning decades and continents
"Don Lee is one of those masterful storytellers who is both classic and modern, who can transport you into any setting, with any character." —The TODAY Show, recommended by author Weike Wang
"The organizing conceit of all [Lee’s] fiction has remained consistent: Asian Americans are not monoliths . . . Lee narrates from a collective perspective, his stories offering a kaleidoscopic vision of all the ways it feels to be yellow." —New York Times Book Review
This collection features South Asian characters from the present to different times in history. Bhuvaneswar’s prose is gorgeous, her dialogue snappy. From a woman feeling guilty for having an affair with her friend’s husband to an enslaved woman in Renaissance-era Portugal to a queer woman who’d rather move to another country than come out to her parents, Bhuvaneswar’s characters are smart, self-aware, flawed, and fascinating.
Best Books of 2018 Kirkus Reviews (debut and short fiction categories)
Best Books of 2018, Entropy Magazine
A Book Club selection for The Wing, Rebel Women's Lit and Bookish.com
35 over 35 Debut Fiction Award
Finalist for the 2019 PEN American Robert Bingham Prize for Debut Short Story Collection
"Chaya Bhuvaneswar's debut collection maps with great assurance the intricate outer reaches of the human heart. What a bold, smart, exciting new voice, well worth listening to; what an elegant story collection to read and savor." -Lauren Groff, author of Florida
Afterparties: Stories is about Cambodian Americans, their first-generation Khmer Rougue-surviving parents, and the tensions between their dreams and desires for themselves and their families. There are apprentice monks, reincarnated souls, mechanics, artists, slackers, and wannabe tech millionaires. So never sells any of his characters’ dreams short. Every story is a gem!
WINNER OF THE JOHN LEONARD PRIZE AT THE NATIONAL BOOK CRITICS CIRCLE AWARDS AND THE FERRO-GRUMLEY AWARD FOR LGBTQ FICTION THE NEW YORK TIMES BESTSELLER
'So's distinctive voice is ever-present: mellifluous, streetwise and slightly brash, at once cynical and bighearted...unique and quintessential' Sunday Times
'So's stories reimagine and reanimate the Central Valley, in the way that the polyglot stories in Bryan Washington's collection Lot reimagined Houston and Ocean Vuong's novel On Earth We're Briefly Gorgeous allowed us to see Hartford in a fresh light.' Dwight Garner, New York Times
'[A] remarkable debut collection' Hua Hsu, The New Yorker
Alvar writes about the Filipinx Diasporic community from the Philippines to the U.S. and around the world. Her stories about men and women who must travel to other countries to support their families show the complicated nature of Diaspora, as well as the strains within families as the result of separation, cultural dislocation, and economic exploitation.
In these nine globe-trotting tales, Mia Alvar gives voice to the women and men of the Philippines and its diaspora.
From teachers to housemaids, from mothers to sons, Alvar’s stories explore the universal experiences of loss, displacement, and the longing to connect across borders both real and imagined. In the Country speaks to the heart of everyone who has ever searched for a place to call home—and marks the arrival of a formidable new voice in literature.
In a vibrant and illuminating follow-up to her award-winning story collection, Useful Phrases for Immigrants, May-lee Chai’s latest collection Tomorrow in Shanghai explores multicultural complexities through lenses of class, wealth, age, gender, and sexuality—always tracking the nuanced, knotty, and intricate exchanges of interpersonal and institutional power.
These stories transport the reader, variously: to rural China, where a city doctor harvests organs to fund a wedding and a future for his family; on a vacation to France, where a white mother and her biracial daughter cannot escape their fraught relationship; inside the unexpected romance of two Chinese-American women living abroad in China; and finally, to a future Chinese colony on Mars, where an aging working-class woman lands a job as a nanny. Chai's stories are essential reading for an increasingly globalized world.
I have been to, and loved, North, Central, and especially East Africa for over fifty years. Only six times have I been to Africa on holiday; more often, perhaps twenty or more times, as a television producer. Working in Africa gains a perspective of reality that the glories of vacation do not. Each has its place, each its pitfalls like stalled plane rides with emergency landings in the bush or attacks by wildlife. But, in the end, the magic of the “otherness,” what an old friend called “primitava” captures one’s soul and changes your life.
Keen to rekindle their love of East African wildlife adventures after years of filming, extreme dangers, and rescues, producer Pero Baltazar, safari guide Mbuno Waliangulu, and Nancy Breiton, camerawoman, undertake a filming walking adventure north of Lake Rudolf, crossing from Kenya into Ethiopia along the Omo River, following a herd of elephant making their annual migration.
Stumbling onto an elephant poaching, the team become embroiled in true financing of terrorism for al Shabaab –ivory sales–and are determined to stop the slaughter at any cost. Ivory trade financing terrorism involves UN refugee camps with two hundred thousand displaced Somali persons, powerful…
A documentary team hiking through East Africa collides with a gang of deadly poachers, in this gripping adventure by the author of Kidnapped on Safari.
Years of filming, extreme dangers, and daring rescues have taken their toll on documentary producer Pero Baltazar and his team. To relax and reconnect with the East African wildlife they love, Pero organizes a walking safari for him, his camerawoman Nancy Breiton, and their elite guide Mbuno Waliangulu. Still, Pero has trouble truly disconnecting from work. When the team comes across a herd of elephants making their annual migration north of Lake Rudolf, Pero decides…
